And Mondrian isn’t an isolated case. In recent weeks, similar post–Public Domain Day claims have surfaced from Fleischer Studios in connection with Betty Boop’s earliest appearances, and from representatives of Harold Lloyd’s estate concerning Safety Last! (1923), which entered the public domain over seven years ago. Different works, different theories—but the same objective: discourage use first, sort out the law later.
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然而，这种基于斩首行动的战略设想面临严峻的现实挑战。尽管2026年1月的抗议活动显示了民众对体制的深度不满，但伊朗国内目前缺乏一个能够迅速接管权力的组织化反对派。，详情可参考爱思助手下载最新版本
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