For decades, Resident Evil has constantly reinvented itself. From fixed-camera survival horror to explosive co-op action to first-person psychological terror. At times, those reinventions pushed the franchise to the brink of losing its identity entirely. But through resets, remakes, and refinement, Capcom rediscovered what truly defined the series: structured vulnerability, spatial tension, and controlled escalation.
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In the 1960s, France became the third country, after the US and Soviet Union, to independently place a satellite (Astérix) into orbit, and the only country to send an animal into space and – crucially, for Félicette the catstronaut – bring it back alive. A decade later, the Franco-British Concorde flicked passengers across the Atlantic in three and a half hours and the TGV began to propel them through the countryside first at 250km/h (155mph), and then 320km/h. Then, in the late 1980s, the French space agency designed a crewed spaceplane, Hermès, that corrected for the Nasa space shuttle’s vulnerability by being integrated into its launch vehicle rather than perched atop it.